You can afford to have fun the first couple of weeks of August but will keenly get back to work by Monday the 19th, taking pleasure in the tasks or routine matters before you. Whatever you learn in the year ahead could help your overarching purpose, goals and ambitions, so bring your A-Game! See important dates during Jupiter in Sagittarius, here. You have until to make a powerful impression, with stoic Saturn in this area of your horoscope, as well as powerful Pluto. You could be working with impressive people or institutions over the coming years, perhaps people in positions of authority, and you could be putting in the hours as you climb the corporate or professional ladder.
Saturn teaches us our limits too! Read more about Uranus in Taurus here. Double your pleasure by reading your horoscope according to your rising sign, too. Kimberly started Star Sign Style to gather together all things celestial in a honey pot of wonder. She's studied astrology in London and India, specialising in the fashion and beauty of the stars.
Georgia Nicols | National Post
Anyway, onto why you're here. You asked for my opinion, here it is: I haven't read the blog posts in question, because due to the recent ruling they're unavailable on his blog, but from what I can tell everything Warren has been doing -bringing light to a shady political campaign, criticizing our mayor and his friends, and generally being politically active online- is completely within his rights as a Canadian citizen, and should be protected under Section 2 of the Canadian Charter of Rights and Freedoms. But you know what really bugs me about this whole thing?
We have people publishing much more malicious, hateful and half-true stories in our local tabloid, the Winnipeg Sun, every day. I'm speaking in particular about Tom Brodbeck, who uses his articles in the Sun and his blog which I refuse to link to to shamelessly criticize anyone who politically opposes him and his masters. I have heard more vitriolic commentary coming from this one "journalist" than I care to remember, yet to my knowledge nobody has taken him to court on Greg Selinger our Premier 's behalf -which is exactly what is happening with Warren.
The curtain rises tonight on I Dream of Diesel! She is a force to be reckoned with. Click here to read the article. Tickets are sold out for opening, but there are seats available for all other nights of the run. Buy on this website or call us at How did you first get involved in theatre? We asked local theatre artist and educator extraodinaire, Pauline Broderick, to have a chat with I Dream of Diesel director and co-creator, Andraea Sartison pictured left. Pauline is a veteran drama educator who is delighted to get to ask questions of a new generation of experimental theatre artists.
She is part of the design team working on the development of the new provincial arts curriculum. Currently she is privileged to be teaching a class at the University of Manitoba called Arts Infusion in the Digital Age where students collaboratively create performance. AS : I was really interested in collaborating with a musician.
That is a lot of what One Trunk does. We try to make theatre with artists from other disciplines. We sought out a musician who would be a collaborator. That is more difficult than you would think. It was an unplanned match made in heaven. AS : Yes. In my own life and my own practise I have always done choir and music and painting and theatre. I think the draw to theatre was that I could combine all of those various interests into a living, story based art form. It feels like a very natural thing to do. It was the feeling of the music that inspired us.
His music is very poetic. We pulled characters and themes from the music and developed their stories. Even now, after the show has taken on its own life, you can find the connections to his music. PB: Tell me about the beginning steps on the journey from YES to the refinements of a staged production. We did a whole bunch of workshops. Our first workshop was an image based exploration. We listened to the music then went looking for artifacts that might fit the story. We built scenes with these objects.
We identified characters and created sequences using the objects that illustrated the characters hopes and dreams. We performed them for each other and talked about what they made us think and feel. AS : After that, we worked on physical based explorations of character and stories. We were mostly developing images and characters at that time. The Carol Shields Festival gave us a deadline to work toward. We had to tie a lot of loose ends together to perform. She was a really important part of the writing process.
She started pushing us in the direction of a story that has A-Z. Our first attempt at A-Z was very visual. It had maybe 35 words. It was very physical. We had a full set and projections and music so it was very sensual and very evocative. From that Theatre Projects Manitoba invited us to be part of their season so this whole last year has been focused on the written script. The intention was to have a full script to work with. We did some good writing. It took the full year. It finally feels like we have a script. I know there is not one single scene that has not been altered by someone else.
PB : How has that sense of collective creation played out in this phase of production? AS : Over the last few months we have started to take on more focused roles. Claire did the last draft and edits. We made a collective choice to make the set pieces very simple and nostalgic. When they are projected upon, another layer of experience is illuminated. Technology is successful when it is fully integrated into the story. It has to be fully integrated. AS: A lot of this piece for me has to do with where the dream intersects with reality. This play is a conversation between what is real and what is not.
Dream and Reality is a big thing. There is also a bit of a haunting in the show; not as in a ghost story but more about a haunting of prairie lore and ancestry; an awareness of the soul of the prairie. The opening invitation to the audience is about sharing a coffee with them. I think the story really speaks to women our age. It about having a dream or an ideal of what your life is going to be and then arriving at the moment when you realize what your life is and being OK with that. Never before heard by a live audience…..
You will hear them first! These short plays require nimble performances and live Foley effects to create the world of Winnipeg at the turn of the century. You will learn about your City, you will be entertained, you will bear witness! Winnipeg like you have never heard it before. What in tarnation are we doing? Come and find out. TPM pass holders get in free OR admission by donation at the door. Acclaimed Winnipegger, Scott Nolan , is a musical force to be reckoned with. Nolan himself. Every second and fourth Thursday of the month, Scott will host an evening of eclectic and ever changing folk music from home and beyond.
Next show is February Click here for more info on Folk Fest Thursdays, and here for more info on Scott. Come celebrate and the power of the solo playwright! Having closed the fascinating and powerful White Rabbit Red Rabbit , many of the artists and audience members feel compelled to continue discussing this bold theatrical experiment. We have invited a number of the actors who performed White Rabbit to engage a panel discussion with the audience about the communal experience of this piece. Because musicians are rabbits too! B-Rabbit and HunnyBunny will put a smile on your face and take you back to a kinder, simpler time… So snap on your slap bands, dig out your favourite scrunchie, and get ready to travel back to the 90s!
Doors are at 6pm, show is 7pm , and the kitchen and bar are open! See you Monday! We gathered as many rabbits as we could into a room with videographer Leif Norman and asked them two questions about White Rabbit Red Rabbit. He compiled the interviews into a short video for the show- the results are adorable and hilarious. Check out the video here, be delighted, and feel free to share the link! What if you want to see more than one of your favourite local performers take the stage? For individuals wishing to attend a second or even a third performance, we are offering special pricing, but only with advance payments and proof of purchase in the form of a ticket stub or a pre-paid reservation.
If people want to attend multiple shows, we recommend booking them all in advance this way they do not need to provide proof of purchase in the form of a ticket stub at the door. Here are the special prices for those attending a second, third or even fourth performance! These are only available if you are attending multiple performances! The fabulous exception to this is for students. Adults and seniors are only eligible for the discounted rates listed above.
Here is what they chatted about! Why did you decide to bring the White Rabbit Red Rabbit here? How did you learn about the show? It caught my attention because of the involvement of two Canadian companies; Volcano Theatre and Necessary Angel. They developed the play with Nassim Soleimanpour the playwright who lives in Iran, and premiered the show simultaneously at the Edinburgh Festival in Scotland and the Summerworks Festival in Toronto. The play was written to travel the world and be performed because the playwright was unable to leave his country. I loved the idea that an international play existed with the goal of connecting to performers and audience members in communities around the world.
Why does the play require a new actor and a cold read each night? What does that bring to the show? White Rabbit Red Rabbit engages everyone in the act of theatre; actor, audience and playwright are all present simultaneously. No actor is allowed to perform this play if they have seen it, or if they have already performed it. It is one night only and the audience gets a real, live experience, rife with possibilities, mistakes and spontaneity. Some have written that White Rabbit Red Rabbit defies description.
It has been called an audacious theatrical experiment. The playwright uses allegory and theatrical experiment to explain his situation, using art as a socio-political metaphor. It has metaphors, it has symbols, and it has secrets. I can guarantee that Winnipeggers will have an undeniably unique experience. What does that mean? The play works on a beautiful metaphorical level. It is about theatre as much as it can be seen as being about the constructions of our societies. It encourages us to question our conventions of authority, our own willingness to be obedient, to be passive and to do what is expected of us.
Theatre can unsettle as it entertains; it can disturb and delight at the same time. This provides an opportunity to bring new light to the issues at the foundation of our society. White Rabbit, Red Rabbit invites us to think about oppression, freedom and words. I encourage people to see more than one performance!
Each actor will be very different in tone, emphasis and impact. It will be a different show every night. I have heard repeatedly about productions around the globe having audience members attend multiple performances! And TPM has a super deal so you can see as many Rabbits as you like! Come warm your icy toes and hearts with hot blasts from the past and sassy tunes! How festive! Doors will be open at 6pm, so come early for the delicious food and bountiful beer! Admission, as always, is free for Season Passholders and by donation for civilians.
He uses his camera wizardry to take snazzy footage and snip it all together into a sassy promo video. Check out his latest for Proud!
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Buy online or call us at to reserve. Doors open at 6pm- kitchen and bar will be open! Admission is free for Season Pass holders and by donation for everyone else. Monday, September 29th, 7pm. Happy birthday to us! We are excited about our new Salon location this year. Doors open at 6pm- arrive early, because these Salons fill up fast! Come and help us usher in our 25th year! Welcome to the 25th season at Theatre Projects Manitoba! It feels fantastic to reach a quarter of a century. We think that we have improved with age, like a fine wine, a sharp cheese or personal wisdom.
Founded in by playwright Harry Rintoul, TPM has diligently grown a generation of theatre makers who are now practicing at home and across the land. Harry and the founding members were keenly aware of the need for a strong local professional company to provide opportunities for our artists and stories for our stage.
For 25 years we have been a hot house for new talent, home grown projects and challenging plays. Each play invites us to check our preconceived notions of politics and prairie life, of theatre and TPM at the door and embrace that which is in front of us, on the stage, in the moment. We are also delighted to continue our popular Salon series for the third season running, bringing together emerging and established artists with audiences to explore the themes of our season in a cabaret setting.
Check our website, Facebook page or give us a call to get dates and times for these monthly cabaret nights. Cheers to this season and the next twenty-five! The annual festival happens at PTE from May , and presents new local works in development. We have been part of this important festival many times over the years and this year, we are excited to present a reading of I Dream of Diesel by our resident company, One Trunk Theatre. Perhaps you have seen an earlier version of this collectively created, devised project at one of our Monday night Salons?
I Dream of Diesel will be presented at 7pm on Friday, May Click here for a full schedule and play synopsis. On behalf of everyone at Theatre Projects Manitoba, we would like to thank you for your commitment to our creativity, development and dedication to Canadian theatre.
As a patron of Theatre Projects Manitoba, you have already experienced the groundbreaking work we bring to our community by Manitoba playwrights such as Debbie Patterson and Carolyn Gray. Perhaps you have even seen the recent success of our Monday evening Salons or been present at one of our Students Nights.
It was believably minimal, it looked like it could be a food bank. But we are determined to keep our ticket prices affordable to everyone, including students, while providing the best resources to create the art. To do this, we need your support! It is easy to donate: just follow this link or give us a call at the office — — we love to speak with you! And stay tuned — we will soon be announcing our 25 th anniversary season of Theatre Projects Manitoba. We encourage you to purchase a subscription, invite your friends to our theatre, and be an active member of our theatre — you are our lifeblood!
Our meeting is of course! We do request that you RSVP if you plan on attending — give us a call or email us! Various national and international theatre events are organized to mark this occasion, one of the most important being the circulation of the World Theatre Day International Message.
Each year, the ITI invites a figure outstanding in theatre, or a person outstanding in heart and spirit from another field, to share his or her reflections on theatre and international harmony. The International Message is translated into more than 20 languages, read for tens of thousands of spectators before performances in theatres throughout the world and printed in hundreds of daily newspapers. For anyone who would like a taste of this show, check out our teaser video below, courtesy Leif Norman. It started as a way to involve everyone in the arts, but what resulted is a play about limitations — and hopeful possibilities.
Each account — be it from a resident, business owner, food bank user, delivery boy, waitress, gangster, or incarcerated teen — brings a unique perspective on the strengths and challenges of this troubled area. The result is a play that attempts to unlock the mysteries of how neighbourhoods evolve and how we cope with unstoppable processes of destruction.
Since then, the work has seen many incarnations and has been read and performed in Winnipeg, Brandon and Iceland. In one version, four actors performed and Patterson directed — but that staging left her feeling disconnected. I wanted their voices to be heard, not mine. I wanted to keep myself out of it. But as Debbie worked with the piece, she began to understand keeping herself out was impossible — partly because as an actor with MS, her disease undoubtedly affects the performance.
The team behind the music and sound design is multi-disciplinary artists John K. Samson and Christine Fellows. How can you take a masterpiece and make it your own? What are the foundations of collective collaboration? What can devised theatre look like? Using excerpts of Chekhov short stories as a launching point, participants will be led through a variety of content generating exercises based on the work of One Trunk Theatre, Ghost River Theatre, Cowgirl Opera and Wyrd Productions.
The three day workshop will introduce participants to new methods of creating theatre, including non traditional and collaborative text-generation, visual approaches to storytelling and physical theatre. Ideal for performers interested in creating their own work, including students, emerging artists or industry professionals. Participants should have a thorough understanding of theatre, and interest in expanding their practice. SO much drama is coming our way, friends! Pull yourselves from the post-holiday slump of frozen driveways and tight waistbands, and join us at the theatre!
There you have it, folks! Of course, we encourage you to see as many Chekhovfest productions as possible. Join us tonight- Monday, January 6 as we continue to investigate and celebrate the work of fabulous Manitoban lady playwrights. Holy moly! What an embarrassment of playwriting riches! The venue is the Folk Exchange at Bannatyne Ave. Doors open at , show starts at 7pm and the cash bar is cheap. Happy New Year, indeed!!
A line up so hot it will melt your snotsicles! Dear ones — the snow is falling, the tinsel is flying and the time it takes to get out your door has increased exponentially due to bundling time! Yep…December is just around the corner. We will be treated to readings by local playwrights including a new piece by Angie St. Join us at 7pm on Monday, December 2nd. Bring your coins for the cheap cash bar! We, along with Zone41 Theatre, want to send a huge hug, handshake and a thank you to the cast, crew and everyone who came out to see The Miser of Middlegate.
What a hilarious way to start our season! Although there are artists we love working with from other parts of the country, we are humbled by the wealth of artistic talent right here in Manitoba. Lucky us! Lucky you! Speaking of artists we love from elsewhere, we are about to welcome Iris Turcott into our midst.
We cannot wait to see what they come up with! The Miser reviews are coming in! She writes:. Director Krista Jackson keeps the show zipping from line to smart-aleck line, maintaining that taut divide between farce and comedy. This production allows the actors to fully exploit their proficiencies with physical comedy, including a dinner party during which the well-dressed guests are seated on giant rolling pilates balls.
Afterward Sunny had to be shut in the house for being too neurotic, which gave Ellen a chance to hang out in the back garden and get this exclusive interview with Minnie. Forgive me, but like most dogs I have a keen understanding of time but fail to understand calendars. A while. It was after the Cold Part, but before the Hot Part. An organization called Manitoba Mutts rescued me. I helped out all I could, you know, lots of tail-wagging and face-licking at the end of the day.
Most playwrights have to have jobs. She helps people write. Which is extremely important. Her upcoming play is The Miser of Middlegate. The inspiration for each of these performances is the work of other artists. On August 23rd trios of artists including one musician, one writer and one visual artist were sent to a specific Winnipeg location to capture the essence of that place through their art form. On Thursday, August 29th their creations will be passed on to a performance company who will have one week to devise a new performance based on the material they receive.
In the spirit of supporting art and community, Theatre Projects Manitoba Board of Directors is pleased to announce that Ardith Boxall, Artistic Director, has embarked on a short leave to pursue professional, personal and artistic development. Interim artistic director duties will be shared by local theatre professionals Chris Johnson and Ellen Peterson. Chris Johnson, professor of theatre at the University of Manitoba and Ellen Peterson, writer in residence for Prairie Theatre Exchange, will serve as artistic consultants for half of the upcoming season until Ardith returns December 31st The opportunity afforded Ardith is made possible because of the continuing performance excellence of our General Manager Rea Kavanagh and her commitment to Theatre Projects Manitoba.
Two premieres of two new plays written by two local playwrights. Our programming highlights our commitment to make theatre that is unabashedly original and profoundly relevant to our community. These are fresh contemporary stories deeply rooted in history yet uncompromisingly modern; one with roots in 17th century satire, the other charting the last century of a Winnipeg neighborhood. Both look backward for inspiration yet propel us to imagine a future; right here, right now, at the crossroads. What a wonderful way to wrap up our season! The closing weekend of Bashir Lazhar brought sold-out houses to a poignant piece put on by fantastic artists.
Bashir Lazhar is an extraordinary play which gives us the story of a political refugee seeking asylum in Canada. The subject matter is both topical and compelling. So we decided to take the pulse of this community — to hear about the concerns, triumphs and unique challenges that refugees face in Manitoba and Winnipeg.
Because good theatre builds strong communities — a play can provide a unique, humanistic perspective on a topic and a fantastic springboard for discussion. Because in recent years, the federal government has made changes to immigration policies that are impacting many immigrants, refugees and their families. It is full of sadness, humour, and hope, in a mixture that flows from horrifying to hopeful. And here, it makes for a rich, emotionally rewarding theatrical experience. The Winnipeg Free Press review is in:.
At first glance at the spectacular set of the stage drama Bashir Lazhar, it looks like a bomb has gone off in the classroom of a French-langauge school in Montreal. For its Grade 6 students, their safe haven of learning has been blown sky-high by the suicide of their beloved female teacher, found hanging in their classroom. Do you wonder what the experience of Refugees in our province is like? We do! Bashir Lazhar gives us the story of a political refugee seeking asylum in Canada — in his case, Montreal, Quebec.
But there are differences to the experience of immigrants over generations, and chasms between one experience and another — choosing to immigrate is a far cry from arriving as a political refugee. And doing outreach for Bashir Lazhar has given us an opportunity to connect with many of the individuals and organizations who serve our newcomers.
So, we decided to take the pulse of this community — to hear about the concerns, triumphs and unique challenges that refugees face in Manitoba and Winnipeg. Bios soon to come. Leif Norman put together the following cinescape of scenes from Bashir Lazhar along with a short interview with director, Ann Hodges.
Check it out! David is a jolly, gregarious, kind and talented fellow, and we are so lucky to be working with him! We managed to grab David for quick e-chat earlier this winter, while he was busy out west playing Tevye in a production of Fiddler on the Roof. DAVID: The play has many wonderful elements — its humanity, the themes of loss and rebirth, its inherent theatricality and its exploration of the wonderful relationship between teacher and student.
What do you enjoy particularly about working in theatre? DAVID: Film, TV and voice over work, while interesting, lucrative and sometimes exciting and seen and heard by sometimes millions of people, has its own reward. But the special relationship theatre actors have with their audience is a very profound one. The live reaction, the power to affect and move the audience is what makes a live performance so unique. So to make the whole process easier, I will try to be as familiar with all those words as I can before we start rehearsal. For me this usually means reading the play every day for weeks ahead, so that the ideas, the words, the flow of the piece, are firmly in my brain.
I will also do a bit of research on Algeria, to find out as much as I can about the country that Bashir comes from. This is an important part of crawling into the skin of the character, so that by the time I hit the stage, I will know a lot about his background, his culture and I can portray him truthfully. We huddle around the table with our coffees and notebooks and feel the crackle of excitement through introductions. The design models and drawings are passed around the table so that we can all peer excitedly into the mini stage spaces. We see that this crack team of artists will create stage magic!
We also want to remind you that March 14th is coming very soon! Talk soon! Love, TPM. There are three novels and a collection of short stories to his credit, all published by Riverbank, an imprint of Cormorant Books. He also plays a mean jazz piano and can knit. He lives in Montreal. Feeling disappointed after the inevitable near-life sentence of snow post Groundhog Day? Warm the cockles of your heart and soul by joining us for a night of fantastic theatre!
This month, we will be exploring what Anglo writers are up to in Quebec. Doors will open at 7pm with our two-act program beginning at pm. Cash bar. See you there! When Mr. In those few precious hours, something unexpected stirs inside of him and his quiet yearning for happiness blossoms. Please join us! What else? And about that Photo Booth …it is going to be so much better than any mall can offer this season.
A modern fairy tale for grown-ups, the play begins with John Kevin Klassen climbing to the 33rd floor of the otherwise-abandoned building where Beatrice Tracy Penner has sequestered herself. Through posters plastered around the city, Beatrice — the veritable princess in a tower — has promised a reward to the man who can pass the challenges she has devised to win her heart, and end her romantic drought.
Read the full review. Locked-in romance leaves a lot to talk about. Read the full and spectacular review! So it is a huge discovery. This play exists on an almost mythological, fairy tale plane that the challenges are about moving out of the world of naturalism or realism. Sometimes we forget how buried underneath the giant boulders of the well-made play we are. It is smooth and precise like a musical composition. AB: No, but it could be partly due to the play itself.
Being more like a fable or allegory, this piece has its own language.
The world of the play is a fairy tale. It is a pastiche of allegorical symbols that are used as tools to create a love story. This language is larger than French or English. I feel, acutely however, how unfamiliar I am with French Canadian theatre, where it lives and the style of it.
One has to use the language of the art form as translator.
How does the sense of time interact with the characters in the play and also with the audience? The play happens in real time, but the characters have a whole lifetime of relationship together. The accumulation of those different rhythms and how time is condensed and left over and dragged behind and smacked on the side of the head is, I hope, very moving.
The characters themselves go through this journey in an unbroken scene and the effect on them is absolutely what is affecting to us. Substantial reward offered. She is well known internationally and she is one of the most produced Canadian playwrights in France and Europe. The English translation is by noted Canadian dramatist John Murrell.
High above the city, Beatrice sits on the 33 rd floor of an office tower waiting for the right man to respond to her ad. When John appears, the games begin. This bounty hunter is up to the challenge but his reward is in question. John and Beatrice is a masterful play about the delusions and truths of modern day romance. With a blend of myth and humor these two lonely people demand and need only one thing — to be able to love. John and Beatrice blends comedy, melodrama, absurdist theatre and naturalism. At all times, it is a duet.
She is the author of 15 plays, which have been translated into 18 languages and staged all over the world. She is the winner of the Siminovitch Prize. The title character in the English translation by Morwyn Brebner is an Algerian refugee and eager substitute teacher helping a traumatized middle-school class. Theatre Projects Manitoba TPM is thrilled to announce the Prairie premieres of two incredible plays from Quebec and to launch our Theatre Salon, where Manitoba artists and audiences can explore Quebec theatre in both official languages!
We would like to thank our brilliant community — the artists, the generous sponsors and donors and our vibrant audience — all of you contributed to an incredible season of activity. We even took it to the streets this year when during Dionysus we hosted a community forum exploring Restorative Justice at the Winnipeg Free Press Cafe. We are looking forward to another season of exciting and intimate theatre and we hope you will join us! Dionysus in Stony Mountain offers an intelligent, provocative and often funny look at crime and punishment in Canada.
Idea man. Read the full reiew. It has come to our attention that the listings in both Uptown and the Winnipeg Free Press are incorrect. You can view the full performance schedule by clicking here. Our current production, Dionysus In Stony Mountain by Steven Ratzlaff asks a raft of questions about our Justice System and what obligation we owe to others. It also asks the audience to question many of their own moral assumptions about criminalization and incarceration. For tickets, please visit www. March Consider how useful a wristwatch that lights up and glows is, if your work takes you, as mine does occasionally, into the darkened auditorium of a theatre.
The absurdity of compulsory penance.
This institution is an abomination, a scandal, because the debilitating, humiliating treatment is actually the result of good intentions. It also asks the audience to question many of their own moral assumptions about criminalization and incarceration and we believe this provocative subject deserves independent examination by our community.
Tickets are available on this website or by calling