Astrology art and science


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Astrology is the art and science of the cycles of life. The natal birth chart is our road map and living weather report. Leslie Galbraith practices the sacred art of astrology. She uses the natal birth chart as a map of our soul's intent to bring awareness to the strengths and challenges we all have as well as looking at the karma of past life impressions in our current lifetime. Focusing on the position of planets today in relation to our natal birth chart can help to bring to light where we are at in our cycle of this beautiful joy called life.

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Not based in NYC or just prefer a reading from the comfort of your own home? Leslie also offers phone sessions! Please include your Birth date, time and place in the Notes field as you check out. Please review our cancellation policy before booking. I have listened to it multiple times which has enabled me to see points in a different way and has brought me extra insight.

The Art and Science of Vedic Astrology Volume 2 : W Ryan Kurczak :

It features a series of watercolors personifying planets or celestial bodies, including the Sun as an emperor, the Moon as a woman, Mars as an armored knight, Mercury as a doctor, Jupiter as a bishop, Venus as a lady holding an arrow of love, and Saturn as an elderly man. Each figure is associated with a color and adorned accordingly: golden yellow the Sun , green the Moon , red Mars , silver Mercury , blue Jupiter , white Venus , and black Saturn. Several pages later, circular diagrams declare the relationship between the luminaries or planets and the days of the week.

The 24 hours of the day—indicated by Roman numerals I through XII repeated twice—are color-coded to the heavenly body that governs quotidian activities. Representations of the zodiac signs Pisces, Libra, and Taurus are also found on these pages, each accompanied by planets or a luminary Pisces features Jupiter and Mars, Libra the moon, Saturn, and Jupiter, and Taurus Mercury, the Moon, and Saturn.

Ludwig IX 6 Devotional or liturgical manuscripts often feature calendars that provide a wealth of information about faith and the cosmos.

One such codex type, the book of hours, contains prayers and readings for daily to annual use. A calendar for the month of May in a midth-century book of hours from Paris, for example, begins with an inscription stating that May has 31 days and 30 appearances of the moon. The first column includes Roman numerals to help readers determine the phases of the moon. They used this information to make decisions, such as when to fast or seek medicinal remedies.

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The second column indicates the days of the week, lettered A through G. At the bottom of the page, the artist included the so-called Labor of the Month, a seasonally appropriate activity such as picking flowers in April or sowing a field in October. The modern timeframes in the year for the zodiac signs have shifted from those in the Middle Ages, when they also dictated daily activity.

A diagram from a calendar manuscript indicates 54 major veins that may be drained according to the phases of the moon or the season of the year. This practice of bloodletting, an ancient medical process of withdrawing blood, seeks to balance bodily fluids known as humors such as black and yellow bile and phlegm. Ludwig XIV 9 A selection of manuscripts in Wondrous Cosmos provides insights into Christian theology and celestial themes in sacred scripture and art.


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The images and accompanying texts demonstrate the central role of heavenly lights, angels, and demons in church services and private devotional practices. Ludwig III 1 A centerpiece of the exhibition is the Getty Apocalypse, a midth-century English manuscript containing the biblical book of Revelation also called Apocalypse , which describes enigmatic visions of the end of time.

The Art and Science of Vedic Astrology (The Foundation Course)

One of the most stunning page spreads features the so-called Woman Clothed in the Sun, with the moon at her feet, stars in her hair, and sunlight wreathing her body. The commentary tells us that the woman represents the Church, which gives light to both day and night. She gives birth to souls saved by angels, while a dragon, representing the devil, gathers one-third of the stars of the heavens in its tail, a symbol of Apocalypse.

Photo: Kenneth D. Several manuscripts and printed books in the exhibition reveal the global entanglements of astronomical or astrological ideas during the Middle Ages. For example, two miscellanies at the Getty contain constellation diagrams with the names of star groupings sometimes provided in Latin, Greek, and Latinized Arabic. This linguistic diversity confirms the connections among universities in Western Europe and centers of learning in Eastern Europe, Western Asia, and the vast Muslim world, where texts in many languages were copied, translated, and transmitted.

The tale of Barlaam and Josaphat by Rudolf von Ems, from about to , illustrates cosmic themes through a story in India. At the beginning of the tale, the imaginary King Avenir of India consults astrologists to interpret omens of planetary and astral alignment related to the birth of the future prince Josaphat. They predict that the young prince will convert to Christianity, which angers the king, who then confines his son to the palace. Inspired by encounters with sickness, poverty, old age, and death, the prince still becomes Christian, fulfilling the celestial prophecies.


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  7. The architecture of sacred structures built or enlarged during the medieval period and sites of pilgrimage also often evoked ideas of the cosmos and the place of humans within it. A major pilgrimage site in India, the Great Stupa at Sanchi , offered Buddhists a metaphorical microcosm of the universe. I have always been fascinated by the celestial realm. This exhibition is inspired by a range of sources in my life, including my childhood spent stargazing on camping trips and watching Star Trek and Star Wars.

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